Langhorne Slim @ Ace Hotel 10.11.14
Langhorne Slim @ Ace Hotel 10.11.14

Langhorne Slim @ Ace Hotel 10.11.14

It is time to remove all barriers to those who want HBO. So, in 2015, we will launch a stand-alone, over-the-top, HBO service in the United States. We will work with our current partners. And, we will explore models with new partners. All in, there are 80 million homes that do not have HBO and we will use all means at our disposal to go after them.

Richard Plepler, chairman and CEO of HBO, in a press release today released during the Time Warner investor meeting.

 

The HBO/Netflix arms race just got more interesting…

Lorde @ The Greek 10.6.14

Taking in the scene

Traditional narrative has been augmented by the advent of new media, not just through the revolutionary distributive aspects of the technology, but principally through the changed relationship between audience and author. New media forms offer both a convergence of narrative vehicles and a fragmentation of understood forms: the genesis of broadband, virtual and immersive technologies, together with the development of Artificial Intelligence (AI) and autonomous agency in interactive drama, will inevitably change current screen broadcast and Hollywood models of cinema. (XXV)

Rieser M. & A. Zapp. 2002. An Age of Narrative Chaos?, in M. Rieser & Zapp A. (ed.) New Screen Media: Cinema/Art/Narrative: xxv-xxviii. London: British Film Institute.

Written in 2002…

A place between the seconds.

Unexpected obstacle
Unexpected obstacle

Unexpected obstacle

Lost in the field
Lost in the field

Lost in the field

The biggest obstacle to creativity is attachment to outcome. As soon as you become attached to a specific outcome, you feel compelled to control and manipulate what you’re doing. And in the process you shut yourself off to other possibilities.

I got a call from someone who wanted me to lead a workshop on creativity. He needed to tell his management exactly what tools people would come away with. I told him I didn’t know. I couldn’t give him a promise, because then I’d become attached to an outcome — which would defeat the purpose of any creative workshop.’

It’s hard for corporations to understand that creativity is not just about succeeding. It’s about experimenting and discovering.
Taking pictures of the sky
Taking pictures of the sky

Taking pictures of the sky

[Language] came from our desire to transcend our isolation and have some sort of connection with one another. And it had to be easy when it was just simple survival. Like you know, "water." We came up with a sound for that. Or "saber tooth tiger right behind you." We came up with a sound for that. But when it gets really interesting I think is when we use that same system of symbols to communicate all the abstract and intangible things that we’re experiencing. What is like… frustration? Or what is anger or love? When I say love, the sound comes out of my mouth and it hits the other person’s ear, travels through this byzantine conduit in their brain through their memories of love or lack of love, and they register what I’m saying and they say yes, they understand. But how do I know they understand? Because words are inert. They’re just symbols. They’re dead, you know? And so much of our experience is intangible. So much of what we perceive cannot be expressed. It’s unspeakable. And yet you know, when we communicate with one another and we feel that we have connected and we think that we’re understood I think we have a feeling of almost spiritual communion. And that feeling might be transient, but I think it’s what we live for.

Waking Life (2001) - Richard Linklater

One of the single most thought-provoking, profound movies ever made.  

Yosemite B&W

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